Leah Kate is a New York City based artist whose music is a true embodiment of her IDGAF attitude. The left of center pop artist fuses her passion for creating relentlessly honest and relatable music with feel-good dance-worthy anthems.
Leah Kate has been on a lifelong journey of confidence and self-identity. Having grown up in Los Angeles with a family in media and submerged in the entertainment industry, she found herself under enormous pressure. The songstress decided to escape, moving to New York City, where she discovered her creative fulfillment, flourishing into who she is today.
The positive and determined young artist delivers listeners with her breathtakingly candid new releases. With each song rooted from some form of personal experience, Leah Kate tells a true story of a girl trying to figure it out alone like the rest of us. The six cutting-edge tracks, emit dark lyrics, swirling unexpected soundscapes and electronic pop elements, highlighting the ingenious songwriters use of innovative and charismatic songwriting.
Her leading single “WTF?” narrates the familiar story of being ghosted by a crush you were texting. These insecure and confused emotions are portrayed through the use of glossy electronic synths and vocal harmonies. Drenched in playful tones with an infectious chorus “WTF?” is a knockout pop hit. Leah Kate confides “I want to remind girls and anyone not to let someone make you think that YOU did something. Sometimes you have to make light of situations and know that it is not meant to be. Sometimes, you just have to laugh at situations and realize it’s just your ego talking, you probably don’t really give a fuck, be strong.”
Her 2nd upcoming single, “She Left Him With A Broken Heart” is a self-explanatory song, taking a very pessimistic view on love. Featuring brooding melodies and melancholy instrumentation the single evokes stunningly dark atmospheric pop. The next single, “So Good” represents Leah Kate’s go-getter personality – she knows what she wants and she won’t give up till she gets it. Sonically the single is an upbeat track with staccato beats and assured vocals.
Leah Kate has found success performing at both London and New York fashion weeks, as well as having worked alongside renown industry professionals. Having garnered hundreds of thousands of streams on Spotify alone, Leah Kate is ready to deliver audiences with her new and most authentic vision to date.
ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”
The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.
Over 6 million streams in first year
Featured on 20 + Spotify New Music Friday playlists all over the world
Playlisted on Swedish national radio
Posted on 25 + Hype Machine Blogs, reached top of most-posted list
“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex
South Carolina native David Wilson, commonly known as dwilly, first broke into the electronic music scene while attending Berklee College of Music in 2016. Currently based in LA, dwilly is a producer, songwriter, and vocalist that blends elements of hip-hop and EDM. With releases on Monstercat Records and Majestic Casual Records, dwilly has songs that have peaked at #24 on iTunes Pop Charts, #10 on US Viral 50 Spotify chart, and #48 on the Global Viral 50 Spotify Chart. dwilly has amassed over 10 million streams in 2018 and has been featured in New Music Friday US. Having “cooked up quite the sonic formula” (Hillydilly), dwilly has built notoriety as a producer having two top 5 Splice sound libraries becoming well known for his unique approach to sound design.
“CRAYOLA the EP is a retirement from the early stages of my artistry and into my deeper darker personal struggles. As I approach the age of 24, I realize my music has matured into something much more emotional and honest. That being said, the songs are flooded with immaturity, youthfulness, and a punch to the gut. I now see things differently as an adult, having to deal with the everyday bullshit that was once foreign to me as a kid. The lyrical content itself shies from popular topics like the culture surrounding drugs and violence and truthfully embraces things like failure and anxiety. My favorite part about the EP is how unsystematic the tracklist is, reflecting my impulsive imagination. Each song offers a different vibe. I want both kids and adults to fuck with this. I’m not targeting any audiences, just simply painting my mind onto a canvas for anyone to enjoy.”
Manatee Commune is on track to become a major electronic breakout artist in 2019. With two extraordinary singles already released from his forthcoming album, PDA, Grant has again crafted another highly personal homage inspired from his childhood memories.
His latest single, “Famous,” tells the story of the seduction fame has on a young and naive dreamer.
“I wanted to capture that feeling every kid has when they are alone, rocking out to their favorite song, fantasizing about becoming rockstars or celebrities. To illustrate that titillating feeling when not only have you made it to the top but are also envied by every person you’ve known since childhood. And how that ‘feeling’ is misunderstood and really pans out if/when you actually achieve of success.” – Manatee Commune
The collaboration with Cassandra Violet delivers sparkling vocals that elegantly detail the trappings of fame, over Manatee Commune’s beautiful, timeless production. “Famous” is a happy, feel-good tune that articulates the benefits and trappings of fame.
The music is as unique as his name. Equal parts bouncy, glittering beats and cool contemplation, Manatee Commune’s compositions capture the sensation of taking a self-reflecting journey through the forest. The productions are masterful arrangements of field recordings, textures from nature, surfy guitar licks, rolling arpeggiated sine waves and classically influenced viola melodies.
Over the past years, he’s performed at SXSW, Bonnaroo, What The Festival, Decibel, Bumbershoot and Capitol Hill Block Party as well as toured with Odesza, Slow Magic, Emancipator and Blockhead. His flamboyant live show at Sasquatch! caught the attention of dance music aficionados; energetically bouncing across the stage from violin to guitar to drums to keyboard while vibrant, moody, projections of pastels & floral visuals behind him.
Manatee Commune’s 2016 self-titled album on Bastard Jazz Recordings explored the symphonic territory of electronic music, combining dance-driven beats, cosmic overtones and whimsical, complex melodies. The album instantly became a fan favorite with over 4.2 million streams on Spotify which eventually led to remixes for Petit Biscuit and RAC.
It’s this connection with nature that is fueling his emotionally creative approach to electronic music, and paving a path for a uniquely stunning album later this year. Add in a continually evolving live show and unmatched stage presence, and the future is looking bright for Manatee Commune and his following of passionate fans.
With her new single “Dopamine High”, the 20-year-old emerging Swedish artist named Yaeger lets us enter her world; a bubbly, adventurous and yellow one, with surprises in every corner. The single is inspired by the ecstatic and releasing experience at raves, where the story of “Dopamine High” takes place. It’s about two young lovers, who after an intimate and electric first meeting, they do not dare to let their desires guide them back to each other. Instead, they get caught up in careers. Each hurrying, and looking for something they cannot define. The core feeling of the song is the thrilling moment when they meet again and ignore all the questions about when and why. “It’s that Dopamine High of feeling alive”, Yaeger explains.
Jade The Moon are an independent alt – pop band that consists of Dani, Benjamin and Jeremy who started making music from the age of six. They released a brand new single, “The Tide” as the second feature track from their upcoming new album, 11:11. The group says that the collection of tracks on the upcoming release are best described as “musical photographs”. A moment in time turned dance party, true story turned love song, a daydream turned eerie alt-pop lullaby. Real world inspiration. This is the follow up to the group’s self-produced 2015 debut release Habits and Hindrance sees the continued theme of “cycles” in human nature.
“We self produced our first record and our current record ’11:11′ was produced by Colin Munroe …except ‘HOTELS’ by Adam King. We are always very involved in every set of the creative process but it really helps to have some in the room to make sense of all the ideas. We are always looking to collab with new writers/producers. @mikkyekko if your listening ;)”
“Fall Tour Dates in the works. We will also be premiering our short film created and directed by Black/Cartel in Toronto last fall”.
LA-based pop-meets-R&B songstress Anna Dellaria returns today with her new single, “I Choose Me.” The anthemic new tune will also be heard on TV Land’s critically-acclaimed show Younger, starring Hilary Duff and Sutton Foster.
Premiering today on The New Nine, “I Choose Me” is a powerful anthem for anyone who has ever felt apologetic for who they are or are not. Driven by tight production, Anna’s smooth soulful vocals captivate during intimate verses before booming with unbridled power on the refrain.
On the powerful meaning behind “I Choose Me,” Anna writes, “It’s an anthem for anyone who’s ever been manipulated, taken advantage of, or felt worthless for not fitting some ridiculous standard. In which you choose to commit to yourself and honor who you are, whether or not people are going to like or understand it. So often we are told to hide the parts of ourselves labelled as “flaws”, instead of looking at them as pieces that demonstrate strength, authenticity and character. ‘I Choose Me’ is the moment you decide to say “f*ck that – I’m enough” and aims to allow those vulnerabilities to empower us instead of living with them as chains we can’t break and must make up for. ”
In keeping with the spirit of the song, Anna will also be donating a part of the proceeds collected from the song to Girls Inc of Alameda County. The organization gives girls from underprivileged neighborhoods the opportunities and resources that can help shape them into strong, smart, and bold young women.
Anna stepped into the spotlight last year with her single “Bolder,” landing a prominent sync of TV Land’s Younger and surpassing over 325K Spotify streams. With a rising profile, prominent furniture company Ethan Allen tapped Anna to sing in a national campaign that aired during the 2018 Academy® Awards.
Translating lyrical singer-songwriter catharsis a la Jeff Buckley through bold Aretha Franklin-style delivery, Anna Dellaria is quickly carving out a place of her own in the music industry.
A few years ago, 2 friends know as Radio Smash decided they wanted to share their love for good music with the world. Since Sal and AJ came from different musical backgrounds, their sound is a medley of the different styles of music that have inspired them over the years. When listening, close your eyes and envision how they felt in that moment of time when their passion for music was captured into the song. Through the sad, yet hopeful vocal on Someone Like You, to the euphoric Call Me (On the Weekend), you’ll be taken on a journey through the life and times of Radio Smash.
Mayssa Karaa with her captivating multi-octave voice and persuasive cross-cultural messages defines a new era of musical inclusion. Her songs tell of a journey connecting her origins in the ancient land of Lebanon to her adopted home of Los Angeles, California. She is about to launch her full-length English solo debut, Simple Cure.
Growing up in Lebanon, Mayssa Karaa was trained in classical music. While she loved singing, a future in civil engineering was her life plan. It was the sage advice of a French conductor that guided her to a professional music career. “He told me, ‘When you meet God he’s going to tell you, ‘I gave you a gift– what did you do with it?’ That was the turning point in my career. Fortunately, my dad had already applied to Berklee College of Music in Boston for me and had an audition set up.”
On Simple Cure, Mayssa Karaa says that most of her lyrics have their origins in conversations. “I would speak with my producer Richard Jacques, tell him something that I remembered, and we would come up with the lines and hooks to relate these stories.” When you put all the songs of the album together, you will understand the full story that lays behind.
The songs range from piano based simplicity to epic electronic orchestration. Among the highlights is “Simple Cure,” which speaks to finding peace through the miraculous power of inner strength, even in the chaos of a modern world. As Mayssa Karaa sings, “Step in the air, breathe in the stars, the simple cure is every heart.”
Cinema audiences might identify Mayssa Karaa’s voice from the hit film American Hustle, where her Arabic version of the ‘60s classic “White Rabbit” was a standout track on the Grammy®-nominated soundtrack album. Television audiences might recognize her from the popular PBS Special, Enrico Caruso: His Life, His Cities, His Music, featuring Placido Domingo in Naples. (She is also featured in the follow-up that was released in the Spring of 2018.) International families might identify her with “The Arabic Alphabet Song” from Sesame Street that generated over 22 million YouTube views.
Melding Arabic influences into Western music is Mayssa’s forte: notable recordings in her catalog include a version of Pink Floyd’s “Comfortably Numb” accompanied by the band’s Scott Page, to which both Roger Waters and David Gilmour granted their blessings. Mayssa traveled to Detroit, Michigan to honor Rock & Roll Hall of Fame legend Bob Seger. Fronting a band organized by the distinguished producer Don Was, she performed a haunting version of Seger’s “Turn the Page” in both English and Arabic during the 22nd Annual “Concert Of Colors” in 2014 at the Orchestra Hall in Detroit, MI.
Aaron Taos is ready to seize his own parcel of the indie pop-rock landscape in 2018 — and Night Thoughts, the Brooklyn resident’s sophomore EP, serves as the blueprint for his takeover. The seven-track effort sees the self-taught artist’s bedroom noodling explode into a full-blown studio project with bolder sounds and bigger production. However, getting to this triumphant phase in his career was no clear-cut task.
Aaron Taos received his first guitar at only five years old. The New Haven, Connecticut suburbanite kid’s affair with the instrument was fleeting as he became more interested in hip-hop and a promising soccer career, even playing in the state’s Olympic Development Program. It wasn’t until he encountered bands like Arctic Monkeys and The Strokes in high school that music re-established its magic hold on his creative aspirations.
“My first instinct is to write songs,” Aaron Taos says of his artistic drive. “When I first got a guitar when I was little, the first thing I wanted to do was write songs. I didn’t want to learn covers; I wanted to make something new. I really like making tangible things out of ideas.”
As a 16-year-old, those ideas first manifested as a garage rock band with some fellow jocks. Still, athletics remained his primary focus — until he took those talents to college. He quickly found enthusiasm for soccer quashed by too much structure and a lack of creativity, so he resolved to turn fully to his true muse: Music. Between classes, Taos holed up in his school’s computer lab, instructing himself in the production arts. “My friends would make fun of me because I was always there watching tutorial videos, learning how to use Logic,” he recalls.
Literally learning as he went, he was resolute in his passionate pursuit. He moved home before relocating to Brooklyn for a Sony Legacy internship, all the while forging his debut EP, 2015’s GUITS. Lo-fi by necessity, the project “was really a bedroom experiment with guitar in a way I wanted to do it,” he says. “Just looping. It was my first time mixing anything from scratch.” Despite its novice DIY nature, GUITS drew attention from publications like Consequence of Sound, The FADER, Brooklyn Vegan, and Pigeons and Planes; it even landed Taos a manager. With minimal assistance or formal musical education, Taos felt himself fast-tracked to pop success.
Until the reality of the situation slowed everything down. His recordings’ homegrown nature made them intriguingly sincere, but ill-prepared him for the actuality of the industry. Taos went from training himself to being thrust into writing rooms from LA to Sweden and shown all sorts of contracts and licensing deals. It was a lot to absorb for someone who just wanted to create.
“It was a double-edged sword,” says Taos of his quick come-up. “It gave me a reason to say, ‘I can actually do this. I’m going to do this.’ But it also stopped my progress in some ways. I met a lot of cool people, I became a better songwriter, but I wasn’t making anything tangible for me.”
Throughout that year of fruitless co-writing sessions, he nevertheless kept learning, refining his craft while awaiting that serendipitous spark to reignite his artful ambition. Without warning, it returned full force when Taos found himself in the right room with the right song and the right producers. The production team was LA duo TÕN and the song was his early 2017 single “Off My Mind”. A hook-riddled groove of yearning desire mixing GUITS‘s guitar sound with “hard-hitting hip-hop-ish drums,” the track catalyzed a new flurry of writing, recording, and releasing.
Yet, just as his music was becoming more dynamic, his personal life was stagnating. His relationship with his girlfriend, who had been there since the beginning of this journey, was coming to a crossroads. Taos now had to find a way to explore his new sonic growth while simultaneously dealing with a broken heart. Ever self-aware, he determined the best way to progress with both was to capture it all on Night Thoughts.
“This EP, for me, is to conceptualize what I am and what I’ve done, what this time meant to me,” Taos reflects. “It’s me retrospectively making sense of my life at that time personally and musically.”
As a result, Night Thoughts plays through the timeline of a relationship. The sleek, sexy tones of opener “Amazing” capture that first rush of attraction. Driving and syncopated, the hard-thumping “Twisted” expresses the dumbfounding anxiety of obsession with psychedelic licks nodding to Taos’ love of Tame Impala. Straightening himself up, Taos gets lost in the cool, carefree joy of true love on “Only One”, only to wistfully stumble on the dance floor as he recognizes a potential end with “Not Over Yet”.
More than just romantic contemplation, though, the EP is truly a time capsule of Aaron Taos’ last three years. It’s the result of a burgeoning musician’s quest to become the type of recording artist he knew he could be. Although it stands as validation that he’s succeeded, it also marks the end of this chapter in his life. It places this young songwriter on the edge of darkness, just stepping forward to meet whatever comes next. There, in those moments before the breaking dawn, live twilight ruminations rich with vulnerability, pleasure, and heartache — the Night Thoughts.