ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”
The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.
Over 6 million streams in first year
Featured on 20 + Spotify New Music Friday playlists all over the world
Playlisted on Swedish national radio
Posted on 25 + Hype Machine Blogs, reached top of most-posted list
“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex
“Quirky pop duo Petrie build on their propensity for lovelorn millennial lyrics on ‘Texting You’.” – The Line Of Best Fit
Throughout 2018, Petrie launched a string of tracks which captured their uniquely multi-textural pop flavour, all of which now can found through the open doors of the duo’s Superstore .
Complex summarises Petrie’s style as “a combination of tender songwriting, upbeat rhythms and bursts of colourful melody,” while PopDust said that after listening “you’re so immersed and hooked for life,” and Hidden Herd couldn’t resist “irresistible grooves, sun-inflected sonics and unshiftable earworms.” All of this and much more you’ll find in plentiful stock over at Superstore , and look out for the sweet deal that is newest single ‘Texting You’.
Speaking about this bittersweet pop tune, Petrie say: “Texting You is one of the oldest songs on the record, born in the summer of ’17 as an impressionistic poem-turned-jazz-ballad. We’ve lost that poem now but it started something like: “Last May we met and fell in love/you told me everything at once/I felt free, like summer/like the birds tattooed across your back”. How that became a big sad banger with 808s and lyrics about George’s Ford Fiesta is a mystery lost in the sands of time. However, that stanza can act as a prelude not only to the song it became but also to Superstore as a whole.” And expanding their thoughts on the Superstore collection, the band share: “Over the course of the album that idyllic love affair slowly crumbles into madness and then into warm, fuzzy nostalgia. We’re proud to say that this narrative inspired an eclectic set of songs, ranging from quiet defeat (Was That a Kiss?) to rhapsodic and heavy diatribes (Punch, which features our deeply inspiring friends Clive Mercury and JESS).
Cihan Ozaman is a producer, singer and songwriter known as Kemelion. He was born in Istanbul, grew up in Paris and went to school in Hannover. Currently he lives in Stuttgart and often commutes to the Alps, where he works with the producerJoe Styppa aka Jaime (drummer of Cro, Cassandra Steen, Estikay, KMN Gang) on his debut EP, which will be released in spring 2019.
On January 25, 2019, they released the fourth single by Jaime “With You (feat. Kemelion)”, which will also be available together with” Over Us “on the debut EP of Kemelion. He combines oriental beats with groovy bass lines that are beating through the melodic walls of the synthesizers. On top you hear guitar licks with different funk & pop influences. His striking voice complements the 26-year-old with huge choirs and harmonies. He describes his own musical genre as “Modern Electro Pop”. Kemelion does nothing be behind his music. He becomes one with it. In March 2018, Kemelion had applied for the nationwide band promotion Play Live. Against 60 artists, he made it through live performances to the last top 4. In December 2018, the final took place at the Scala in Ludwigsburg where he convinced the jury again and earned a slot at the 2019 Stuttgart Electronic Music Festival.
Novele is the brainchild of 26-year-old singer/songwriter/producer Austin Fitzpatrick. From an early age, Austin was surrounded by music. His uncle, John Cale, is a founding member of Velvet Underground and his Aunt was a major label executive for
most her life. Austin’s father was also a musician and DJ and raised him on soul, R&B and Hip-Hop music.
Born in Mission Viejo and raised in Corona, Austin has a deep affinity for Southern California and its culture. Some of his earliest inspirations were California artists No Doubt, Dr. Dre and The Red Hot Chili Peppers. From there he ventured further into the Alternative and Hip-Hop realms like Run DMC, Bloc Party and Gorillaz (specifically their album Demon Days).
At age 12, Austin taught himself the drums and electric guitar and began to make his own music. He then started to play in a handful of bands and joined music programs at his junior high school. His passion for music only expanded as he entered high school. At age 14, he formed a band with his friends Kyle Harward and Jeff Riggs –
Novele began as a garage-rock band in the Inland Empire of Southern California. In early years, the trio played countless house parties and shows in and around their hometown. This was mainly experimental music in the vein of As Tall As Lions. They then faced turbulent times due to a variety of mental health and funding issues and had to take a break from each other. Kyle and Jeff have since returned to the group, but Austin remains the principal songwriter.
During the time apart, Austin continued to grow as a musician, songwriter and producer. He began to focus more on creating hip-hop beats for rappers. However, his love for punk and pop music never left and he began to fuse the genres into one.
This is where Novele’s current sound stems from. A fusion of punk, hip-hop and pop that form a true alternative style. The songs and lyrics pull from Austin’s personal experiences and struggles with mental health and overcoming depression which encompasses the deep emotion and raw passion that fuel the music.
Now 10 years later, Novele is set to release a debut demo album on September 14th. The album contains ideas from the early band days (“After The War”, “Rubies”) as well as newer tracks that Austin composed on his own (“T.S.”, “Tears”). The album is a journey through the tempestuous yet beautiful lifespan of the band. Enjoy.
With her new single “Dopamine High”, the 20-year-old emerging Swedish artist named Yaeger lets us enter her world; a bubbly, adventurous and yellow one, with surprises in every corner. The single is inspired by the ecstatic and releasing experience at raves, where the story of “Dopamine High” takes place. It’s about two young lovers, who after an intimate and electric first meeting, they do not dare to let their desires guide them back to each other. Instead, they get caught up in careers. Each hurrying, and looking for something they cannot define. The core feeling of the song is the thrilling moment when they meet again and ignore all the questions about when and why. “It’s that Dopamine High of feeling alive”, Yaeger explains.
Vicky Warwick is a British artist, operating under the moniker of Ainslie.
Ainslie comes from a world of being a called upon side-woman in the music industry; as a session musician she was hired for many musical artists and occasions, whether it be playing a sweaty sold-out show in Florida with Charli XCX or appearing on award shows with Cee Lo Green.
Her first job in the music industry was as the in-house bassist with the renowned pop-production house, Xenomania (Cher, Kylie Minogue, Pet Shop Boys, Girls Aloud, Sugababes). It was such a privileged insight into how pop music was made, Ainslie soaked up each experience there. Whilst she was always writing music, she didn’t really take her own voice seriously until a few years later on.
Her need to make music started as a form of anxiety – the good kind – when she would spend months away from home on the road. So starved for personal time, she itched to be spending whatever time she had writing music; whether it meant finding a quiet corner of the tour bus, or an unoccupied room at a venue. For a long time, she didn’t know what exactly for, until she was penning ideas she knew she didn’t want to give to anyone else.
She had been writing songs in her home of London, and many other places over the world, but the project wasn’t fully realised until she moved to New York City in 2017. Something changed when she arrived; the colours were brighter, the people wilder, the ideas more far-fetched. Inspiration struck. Whilst taking some time off from long-term touring, she settled into the city and to the idea of putting out the songs she’d been singing to herself for a while. As she was getting out there, trying to meet and collaborate with the many creatives of the city to further her session playing career, it made her see that she should nurture the thing that was hers, and hers only. The thing that she could take with her wherever in the world she was. She realised it’s importance, and how in a whirlwind lifestyle of a touring musician, it was something that could be a constant. Her view of being a musician and not an artist had to shift, because it was time to break out of the mould she had made for herself.
Ainslie’s music draws from personal experiences but she also likes to imagine the world from other’s perspectives and explores themes of fantasies, inner thought and also comments on suburbia and aspects of our everyday lives. She claims to have felt a strange phenomenon since the birth of this project, a kind of synesthesia that when envisioning her music and the project, conjures images of pastel pinks, blues and turquoises, the sea and water, plants and soft textures of fluffy candy floss or velvet.
Her single Grow observes idyllic suburbia, and the human need to climb up the ladder of society. “I found myself walking in this beautiful neighbourhood being curious about the stories behind each person or family inside each house. Wondering if they are as happy as I imagined they were. What seemed like a perfect world, might be not what it cracked up to be, and I considered if it was what I would want for myself anyway. Society has taught us something we should strive for, so part of me was longing to live that life behind one of the perfect front doors, but part of me also felt a disconnect; it was far from what I truly want in life.”
Arcadia was founded in June 2018 by Will Adler, and Scott Lubin. Will is a guitarist, producer, songwriter, and multi-instrumentalist, and Scott is a songwriter and talented vocalist. Will and Scott began making music in high school, and have been developing their sound and style ever since. Arcadia presents a bright and fresh take on indie rock music, with four on the floor driving rhythmic elements, paired with bright and exciting guitar riffs.
EmmaZander explores what it means to be a twenty-something in 2018. She’s been featured on major EDM tracks, including the theme song for EDC Vegas in 2017. Zander has also appeared on the Corporate Slacker’s “Wasted Love” and Bryce Vine’s “Bella.” She’s ready to breakout with her own edgy pop records now, recently releasing “Pioneers” and, soon, “My Generation.”
Emma Zander sings about what it means to be a twenty-something right now. Born and raised in NY, Zander moved to the West Coast to pursue music after graduating NYU Tisch for Musical Theatre. Her introspective songwriting & ethereal vocals have garnered major attention in the EDM world, as she performed at and even wrote the theme song for Electric Daisy Carnival Vegas in 2017. As a featured vocalist and top-line writer, Zander has also appeared on the Corporate Slackers’ Wasted Love (Tîesto’s Musical Freedom), & Bryce Vine’s rap track, Bella, hailing over 4 million streams & counting. But it’s her own edgy pop records & thought-provoking visuals that truly solidify her identity as an artist– and a powerful female voice of her generation.
Jade The Moon are an independent alt – pop band that consists of Dani, Benjamin and Jeremy who started making music from the age of six. They released a brand new single, “The Tide” as the second feature track from their upcoming new album, 11:11. The group says that the collection of tracks on the upcoming release are best described as “musical photographs”. A moment in time turned dance party, true story turned love song, a daydream turned eerie alt-pop lullaby. Real world inspiration. This is the follow up to the group’s self-produced 2015 debut release Habits and Hindrance sees the continued theme of “cycles” in human nature.
“We self produced our first record and our current record ’11:11′ was produced by Colin Munroe …except ‘HOTELS’ by Adam King. We are always very involved in every set of the creative process but it really helps to have some in the room to make sense of all the ideas. We are always looking to collab with new writers/producers. @mikkyekko if your listening ;)”
“Fall Tour Dates in the works. We will also be premiering our short film created and directed by Black/Cartel in Toronto last fall”.
LA-based pop-meets-R&B songstress Anna Dellaria returns today with her new single, “I Choose Me.” The anthemic new tune will also be heard on TV Land’s critically-acclaimed show Younger, starring Hilary Duff and Sutton Foster.
Premiering today on The New Nine, “I Choose Me” is a powerful anthem for anyone who has ever felt apologetic for who they are or are not. Driven by tight production, Anna’s smooth soulful vocals captivate during intimate verses before booming with unbridled power on the refrain.
On the powerful meaning behind “I Choose Me,” Anna writes, “It’s an anthem for anyone who’s ever been manipulated, taken advantage of, or felt worthless for not fitting some ridiculous standard. In which you choose to commit to yourself and honor who you are, whether or not people are going to like or understand it. So often we are told to hide the parts of ourselves labelled as “flaws”, instead of looking at them as pieces that demonstrate strength, authenticity and character. ‘I Choose Me’ is the moment you decide to say “f*ck that – I’m enough” and aims to allow those vulnerabilities to empower us instead of living with them as chains we can’t break and must make up for. ”
In keeping with the spirit of the song, Anna will also be donating a part of the proceeds collected from the song to Girls Inc of Alameda County. The organization gives girls from underprivileged neighborhoods the opportunities and resources that can help shape them into strong, smart, and bold young women.
Anna stepped into the spotlight last year with her single “Bolder,” landing a prominent sync of TV Land’s Younger and surpassing over 325K Spotify streams. With a rising profile, prominent furniture company Ethan Allen tapped Anna to sing in a national campaign that aired during the 2018 Academy® Awards.
Translating lyrical singer-songwriter catharsis a la Jeff Buckley through bold Aretha Franklin-style delivery, Anna Dellaria is quickly carving out a place of her own in the music industry.