Moglii is creating his unique and significant style out of warm beats, analogue synthesizers and soulful vocal samples. His modern electronic compositions are often supplemented by acoustic instruments and an organic soundscape. Its futuristic pop music influenced by the sound of Mura Masa, James Blake or Bon Iver Moglii ’s lively and playful tracks are made for big stages as well as for the headphones of an urban music enthusiast. A lot of samples are self made, with the help of field recording of coffee machines, shopping bags or cactuses. Simon is also the mastermind of 5 piece band MOGLEBAUM, in which he already played on national and international Festivals (Bulgaria, India , UK ). Their single “Raindrops” reached #1 on Spotify’s global viral charts in July 2016 and more than 1 million streams. This second project is frozen since 201 8.
Dan Crossley is a 23-year old singer/songwriter from Telford, now based in London. Consistently drawing from personal experience, Dan’s lyrics are flawlessly honest. Following from the success of his previous singles off his EP ‘Closure’ (7 Minutes, Call Back, Mind Games and Heal) Forgive Me is the fifth and final chapter to the EP.
Dan wrote Closure about a toxic relationship he was in from start to finish. The EP goes through each stage of the relationship with 7 Minutes being that initial attraction despite knowing that person is going to be bad for you down the road. Call Back is the aftermath where you’re desperate for that person to get in contact. Mind Games represents the peak of the relationship where that person is constantly playing on your mind and you’re trying to get over them. Heal is the result of the break up and Forgive Me is realising your wrong doings and asking for forgiveness and making peace with the relationship resulting in closure. Speaking on Forgive Me Dan says “It was a chance for me to escape the bitterness, let my guard down and be more mature about my first heartbreak. Forgiveness is something I’m still learning everyday, not just in relationships but with myself. I’ll always have love for someone that taught me lessons and made me who I am today.”
Speaking on the EP Dan says “Closure was a writing journey I started after my first heartbreak. The relationship never fully ended and I’m still to this day left with a question mark hanging over the two of us. That being said the project gave me the closure I needed to move on. It’s been just as much as a personal journey as well as a musical one.” Having caught the attention of Billboard, CLASH, Earmilk and Notion, Dan certainly remains as ‘one to watch’. He has accumulated over 500,000 streams on Spotify along with editorial playlists such as Chilled Pop Hits, Out Now and New Pop Revolution and has also been included in Apple Music’s Best of The Week playlists. Dan Crossley has been featured as Track of The Week numerous times on BBC Introducing, which led to him being named BBC Introducing’s One To Watch for 2018 as well as finishing last year off with a sold out headline show at The Camden Assembly.
Anna Lisa is a Bristol-based singer-songwriter and producer, who has spent the last few years cultivating her sound and paving the way for her solo career to take flight. Having already made it into the Top 20 of the MOBO Unsung competition in 2016, Anna Lisa’s distinctive, haunting vocal style continues to bring her recognition as she readies herself for a string of forthcoming releases. Drawing on influence from grime, dubstep, trap and hip hop as a whole – from both the UK and US – alongside co-writer and producer MUSSI, she has reinvented herself and fine tuned her talents. The result is a deeply personal sound and style, with Anna Lisa weaving stories of emotional battles, heartbreak and unrestricted resentment within her music. You can expect to hear a lot from her corner in the coming months, as she gears up to release three singles, as well as her first ever music video. Her debut EP is also in the works, with a release scheduled for Summer 2019. All of that, plus a run of upcoming gigs and other appearances, make Anna Lisa one to watch in 2019 and beyond.
As 2019 continues, so does Anna Lisa’s run of fresh music as she hits us with her third single, Hate. Ever since her debut, Give Me A Reason, appeared on Valentine’s day 2019 we have been blessed with a new single each month, including March’s offering, Courage. The singles all follow a similar theme, as the Bristol-based singer-songwriter deals with moral dilemmas and emotional struggles. The pulsating, trap style production on Hate takes a step up in terms of tempo, with the faster style giving Anna Lisa’s lyrics more urgency, without losing any of that haunting quality that she displays in abundance, every time she steps in the booth. The production comes courtesy of Anna Lisa’s creative assistant and lab partner, MUSSI as they team up for yet another powerful track. With three successful singles and her first video behind her, 2019 is already looking set to be a triumph, but with the news that her debut EP is scheduled for release in the summer as well, the year definitely belongs to Anna Lisa.
Sami Nathan was born and raised in north London, and started playing the piano and singing from her early years. The scale and diversity of London, the neighborhoods she grew up in, its rich music scene has always blown her away with its musical influence and continues to be an important source of inspiration and energy for her.
That phase included collaborating with Jake Gosling, No ID, Brian Kennedy, MNEK and participating in writing camps in LA, Australia, Sweden and Norway. She learned a lot!
Joining forces with Jake Gosling she wrote and featured on the soundtrack to Twenty8k a UK thriller film, the album also featured Ghetts and Mikill Pane. This followed with working alongside Rudimental’s featuring artist Syron, where Sami wrote first single “Breaking” which was well received with airplay on Radio 1, 1Xtra, MTV.
Sami Nathan went on to work with Jessica Mauboy and Kennedy whom she co-wrote the track “Go (I don’t need you)” for her platinum selling album “Beautiful”.
While Sami Nathan is a born collaborator and continues to develop that element of her work, in 2018 she turned more towards herself, emphasising developing her own music expressions from her heart, reflecting on the journey and experiences she has witnessed growing up in London, the ups and downs of trying to find a way as an artist and a young woman. Honing in on her powerhouse vocals to convey the emotions within her songwriting.
resulted in the release of ‘Fossilised’ in January this year and with ‘In
Motion’ set for release in May, 2019 marks an important new chapter in Sami’s
ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”
The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.
Over 6 million streams in first year
Featured on 20 + Spotify New Music Friday playlists all over the world
Playlisted on Swedish national radio
Posted on 25 + Hype Machine Blogs, reached top of most-posted list
“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex
“Quirky pop duo Petrie build on their propensity for lovelorn millennial lyrics on ‘Texting You’.” – The Line Of Best Fit
Throughout 2018, Petrie launched a string of tracks which captured their uniquely multi-textural pop flavour, all of which now can found through the open doors of the duo’s Superstore .
Complex summarises Petrie’s style as “a combination of tender songwriting, upbeat rhythms and bursts of colourful melody,” while PopDust said that after listening “you’re so immersed and hooked for life,” and Hidden Herd couldn’t resist “irresistible grooves, sun-inflected sonics and unshiftable earworms.” All of this and much more you’ll find in plentiful stock over at Superstore , and look out for the sweet deal that is newest single ‘Texting You’.
Speaking about this bittersweet pop tune, Petrie say: “Texting You is one of the oldest songs on the record, born in the summer of ’17 as an impressionistic poem-turned-jazz-ballad. We’ve lost that poem now but it started something like: “Last May we met and fell in love/you told me everything at once/I felt free, like summer/like the birds tattooed across your back”. How that became a big sad banger with 808s and lyrics about George’s Ford Fiesta is a mystery lost in the sands of time. However, that stanza can act as a prelude not only to the song it became but also to Superstore as a whole.” And expanding their thoughts on the Superstore collection, the band share: “Over the course of the album that idyllic love affair slowly crumbles into madness and then into warm, fuzzy nostalgia. We’re proud to say that this narrative inspired an eclectic set of songs, ranging from quiet defeat (Was That a Kiss?) to rhapsodic and heavy diatribes (Punch, which features our deeply inspiring friends Clive Mercury and JESS).
Cihan Ozaman is a producer, singer and songwriter known as Kemelion. He was born in Istanbul, grew up in Paris and went to school in Hannover. Currently he lives in Stuttgart and often commutes to the Alps, where he works with the producerJoe Styppa aka Jaime (drummer of Cro, Cassandra Steen, Estikay, KMN Gang) on his debut EP, which will be released in spring 2019.
On January 25, 2019, they released the fourth single by Jaime “With You (feat. Kemelion)”, which will also be available together with” Over Us “on the debut EP of Kemelion. He combines oriental beats with groovy bass lines that are beating through the melodic walls of the synthesizers. On top you hear guitar licks with different funk & pop influences. His striking voice complements the 26-year-old with huge choirs and harmonies. He describes his own musical genre as “Modern Electro Pop”. Kemelion does nothing be behind his music. He becomes one with it. In March 2018, Kemelion had applied for the nationwide band promotion Play Live. Against 60 artists, he made it through live performances to the last top 4. In December 2018, the final took place at the Scala in Ludwigsburg where he convinced the jury again and earned a slot at the 2019 Stuttgart Electronic Music Festival.
Novele is the brainchild of 26-year-old singer/songwriter/producer Austin Fitzpatrick. From an early age, Austin was surrounded by music. His uncle, John Cale, is a founding member of Velvet Underground and his Aunt was a major label executive for
most her life. Austin’s father was also a musician and DJ and raised him on soul, R&B and Hip-Hop music.
Born in Mission Viejo and raised in Corona, Austin has a deep affinity for Southern California and its culture. Some of his earliest inspirations were California artists No Doubt, Dr. Dre and The Red Hot Chili Peppers. From there he ventured further into the Alternative and Hip-Hop realms like Run DMC, Bloc Party and Gorillaz (specifically their album Demon Days).
At age 12, Austin taught himself the drums and electric guitar and began to make his own music. He then started to play in a handful of bands and joined music programs at his junior high school. His passion for music only expanded as he entered high school. At age 14, he formed a band with his friends Kyle Harward and Jeff Riggs –
Novele began as a garage-rock band in the Inland Empire of Southern California. In early years, the trio played countless house parties and shows in and around their hometown. This was mainly experimental music in the vein of As Tall As Lions. They then faced turbulent times due to a variety of mental health and funding issues and had to take a break from each other. Kyle and Jeff have since returned to the group, but Austin remains the principal songwriter.
During the time apart, Austin continued to grow as a musician, songwriter and producer. He began to focus more on creating hip-hop beats for rappers. However, his love for punk and pop music never left and he began to fuse the genres into one.
This is where Novele’s current sound stems from. A fusion of punk, hip-hop and pop that form a true alternative style. The songs and lyrics pull from Austin’s personal experiences and struggles with mental health and overcoming depression which encompasses the deep emotion and raw passion that fuel the music.
Now 10 years later, Novele is set to release a debut demo album on September 14th. The album contains ideas from the early band days (“After The War”, “Rubies”) as well as newer tracks that Austin composed on his own (“T.S.”, “Tears”). The album is a journey through the tempestuous yet beautiful lifespan of the band. Enjoy.
With her new single “Dopamine High”, the 20-year-old emerging Swedish artist named Yaeger lets us enter her world; a bubbly, adventurous and yellow one, with surprises in every corner. The single is inspired by the ecstatic and releasing experience at raves, where the story of “Dopamine High” takes place. It’s about two young lovers, who after an intimate and electric first meeting, they do not dare to let their desires guide them back to each other. Instead, they get caught up in careers. Each hurrying, and looking for something they cannot define. The core feeling of the song is the thrilling moment when they meet again and ignore all the questions about when and why. “It’s that Dopamine High of feeling alive”, Yaeger explains.
Vicky Warwick is a British artist, operating under the moniker of Ainslie.
Ainslie comes from a world of being a called upon side-woman in the music industry; as a session musician she was hired for many musical artists and occasions, whether it be playing a sweaty sold-out show in Florida with Charli XCX or appearing on award shows with Cee Lo Green.
Her first job in the music industry was as the in-house bassist with the renowned pop-production house, Xenomania (Cher, Kylie Minogue, Pet Shop Boys, Girls Aloud, Sugababes). It was such a privileged insight into how pop music was made, Ainslie soaked up each experience there. Whilst she was always writing music, she didn’t really take her own voice seriously until a few years later on.
Her need to make music started as a form of anxiety – the good kind – when she would spend months away from home on the road. So starved for personal time, she itched to be spending whatever time she had writing music; whether it meant finding a quiet corner of the tour bus, or an unoccupied room at a venue. For a long time, she didn’t know what exactly for, until she was penning ideas she knew she didn’t want to give to anyone else.
She had been writing songs in her home of London, and many other places over the world, but the project wasn’t fully realised until she moved to New York City in 2017. Something changed when she arrived; the colours were brighter, the people wilder, the ideas more far-fetched. Inspiration struck. Whilst taking some time off from long-term touring, she settled into the city and to the idea of putting out the songs she’d been singing to herself for a while. As she was getting out there, trying to meet and collaborate with the many creatives of the city to further her session playing career, it made her see that she should nurture the thing that was hers, and hers only. The thing that she could take with her wherever in the world she was. She realised it’s importance, and how in a whirlwind lifestyle of a touring musician, it was something that could be a constant. Her view of being a musician and not an artist had to shift, because it was time to break out of the mould she had made for herself.
Ainslie’s music draws from personal experiences but she also likes to imagine the world from other’s perspectives and explores themes of fantasies, inner thought and also comments on suburbia and aspects of our everyday lives. She claims to have felt a strange phenomenon since the birth of this project, a kind of synesthesia that when envisioning her music and the project, conjures images of pastel pinks, blues and turquoises, the sea and water, plants and soft textures of fluffy candy floss or velvet.
Her single Grow observes idyllic suburbia, and the human need to climb up the ladder of society. “I found myself walking in this beautiful neighbourhood being curious about the stories behind each person or family inside each house. Wondering if they are as happy as I imagined they were. What seemed like a perfect world, might be not what it cracked up to be, and I considered if it was what I would want for myself anyway. Society has taught us something we should strive for, so part of me was longing to live that life behind one of the perfect front doors, but part of me also felt a disconnect; it was far from what I truly want in life.”