ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”
The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.
Over 6 million streams in first year
Featured on 20 + Spotify New Music Friday playlists all over the world
Playlisted on Swedish national radio
Posted on 25 + Hype Machine Blogs, reached top of most-posted list
“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex
Since 2010, Copenhagen-based producer Fabian Mazur has released many tracks and remixes, expanding from the Danish club scene to an international audience. Gaining support from artists such as Martin Garrix, Tiesto and Afrojack, Fabian’s recent releases have been pulling in streams from all over the world including “Right Now” with over 7.2 million Spotify plays and “Sun Goes Down” topping two million Spotify plays.
Fabian Mazur has an electronic and bouncy sound with a clear inspiration from hip-hop and R&B that has been supported on a variety of playlists including: Mint, Fresh Electronic, Dance Hits, Friday Crate Diggers, Spinnin Records Top 100, Trap Nation, Electronic Gaming, Mad Decent Weekly, Deep House Hits (Armada), Trap & Bass By Spinnin and New Music Fridayin Germany, Denmark, Spain, Iceland, Canada, Finland, Sweden, Norway, Italy and France.
Fabian comes from a family
with a musical heritage. His parents are career jazz musicians who continue to
tour to this day. His father Klavs
Hovman plays the bass and is a solid foundation the Danish jazz scene. His
mother Marilyn Mazur is a
world-renowned percussionist who has toured with legends such as Miles Davis and Wayne Shorter.
In 2013, Fabian received a platinum-certification for his remix of “Chuck Norris” by Kongsted. Other accolades include six nominations at the Danish DJ Awards 2014, 2015, 2016, & 2017 – “Mainstream DJ Of The Year,” “Urban Release Of The Year” and “Remix Of The Year.” Fabian spends time producing a vlog series featuring all his own music. His weekly videos–available here–give a glimpse into his daily life as a full-time music producer and DJ.
“Quirky pop duo Petrie build on their propensity for lovelorn millennial lyrics on ‘Texting You’.” – The Line Of Best Fit
Throughout 2018, Petrie launched a string of tracks which captured their uniquely multi-textural pop flavour, all of which now can found through the open doors of the duo’s Superstore .
Complex summarises Petrie’s style as “a combination of tender songwriting, upbeat rhythms and bursts of colourful melody,” while PopDust said that after listening “you’re so immersed and hooked for life,” and Hidden Herd couldn’t resist “irresistible grooves, sun-inflected sonics and unshiftable earworms.” All of this and much more you’ll find in plentiful stock over at Superstore , and look out for the sweet deal that is newest single ‘Texting You’.
Speaking about this bittersweet pop tune, Petrie say: “Texting You is one of the oldest songs on the record, born in the summer of ’17 as an impressionistic poem-turned-jazz-ballad. We’ve lost that poem now but it started something like: “Last May we met and fell in love/you told me everything at once/I felt free, like summer/like the birds tattooed across your back”. How that became a big sad banger with 808s and lyrics about George’s Ford Fiesta is a mystery lost in the sands of time. However, that stanza can act as a prelude not only to the song it became but also to Superstore as a whole.” And expanding their thoughts on the Superstore collection, the band share: “Over the course of the album that idyllic love affair slowly crumbles into madness and then into warm, fuzzy nostalgia. We’re proud to say that this narrative inspired an eclectic set of songs, ranging from quiet defeat (Was That a Kiss?) to rhapsodic and heavy diatribes (Punch, which features our deeply inspiring friends Clive Mercury and JESS).
Slayyyter is a 22 year old pop artist from St Louis, MO who was recently named “the future of pop music” by FADER. Slayyyter’s music draws inspiration from Heidi Montag and Courtney Stodden accompanied by social posts reminiscent of the MySpace and AIM eras. Cosigns from Grimes, Charli XCX, Kim Petras, and more have helped her quickly amass a cult following, growing rapidly on Twitter and Instagram. With eight singles released to date, she is currently working on a debut LP and embarking on a US headline tour this summer, dates below.
Slayyyter really is the future of pop musicr” – FADER “Slayyyter is music’s internet princess” – V Magazine “Electro-pop newcomer Slayyyter serves shades of millennial pop, bringing everything from Britney to NSYNC to mind..” – Billboard “Slayyyter Is 2018 Pop, inspired By 2007 Britney, Lindsay, and Paris – PAPER
Slayyyter has released a viral brand new single “Mine.” The single debuted with Billboard Magazine here and is available to stream now here. Prior to release, a 10 second snippet of “Mine” garnered 500k+ views across several fan-made dance videos and reposts.
Speaking about the song, Slayyyter told Billboard, “I first heard the demo when I was in LA in December, Robokid played it for me at a session and I fell in love with it. Good Intent wrote the first version I heard and I immediately felt like it was a hit. I got home, after putting it off for a while I finally recorded the vocals for it in my closet till like 7 am. It’s basically a bouncy lovey-dovey house track about wanting someone really bad. I got the first mix back and posted a 15 second snippet of the chorus on a whim and twitter lost its mind. I hope people show the song as much love on Valentine’s Day as they did the snippet! It’s the perfect soundtrack for drunken sex in the back of an Uber!”
Slayyyter has announced a headline tour of US dates this June, with support from Robokid and Boy Sim. These tour dates will be Slayyyter’s debut live performances.
June 25, 2019 – Brooklyn, NY – Elsewhere Zone One June 26, 2019 – Chicago, IL – Schuba’s Tavern June 27, 2019 – San Fransisco, CA – Rickshaw Stop June 29, 2019 – Los Angeles, CA – The Echo
Cihan Ozaman is a producer, singer and songwriter known as Kemelion. He was born in Istanbul, grew up in Paris and went to school in Hannover. Currently he lives in Stuttgart and often commutes to the Alps, where he works with the producerJoe Styppa aka Jaime (drummer of Cro, Cassandra Steen, Estikay, KMN Gang) on his debut EP, which will be released in spring 2019.
On January 25, 2019, they released the fourth single by Jaime “With You (feat. Kemelion)”, which will also be available together with” Over Us “on the debut EP of Kemelion. He combines oriental beats with groovy bass lines that are beating through the melodic walls of the synthesizers. On top you hear guitar licks with different funk & pop influences. His striking voice complements the 26-year-old with huge choirs and harmonies. He describes his own musical genre as “Modern Electro Pop”. Kemelion does nothing be behind his music. He becomes one with it. In March 2018, Kemelion had applied for the nationwide band promotion Play Live. Against 60 artists, he made it through live performances to the last top 4. In December 2018, the final took place at the Scala in Ludwigsburg where he convinced the jury again and earned a slot at the 2019 Stuttgart Electronic Music Festival.
Hailing from three generations of female artists, Princess Nostalgia was encouraged to express herself from a young age. Born on Tiber Island in the heart of Rome, her childhood unfolded amongst the ruins of an ancient world. This bittersweet sense of the past has informed her outlook ever since.
At 8 years old, she moved with her mother and brother to Pittsburgh, Pennsylvania. Her father remained in Italy (their shared love of Kraftwerk, D’Angelo, and Chic has been the basis of their long distance relationship). The sharp divide between the two worlds in which she lived led her to develop a fascination with the feeling of nostalgia—which became not only a familiar friend, but a source of inspiration (hence the moniker).
In the fourth grade, Princess Nostalgia picked up the double bass. Ten years of classical training opened her eyes to the endless potential of musical composition, and an insatiable itch to do it herself was awakened. The subsequent discovery of Logic Pro X gave her the freedom to manifest this potential on her own terms. Inspired by a wide array of genres including funk, r&b, electronic, and pop, Princess Nostalgia taught herself how to compose, arrange, mix, and master her own music. Despite the toxic aspects of being an artist in the age of social media, she is immensely grateful for the vast reserves of free information the internet has to offer, as she acquired many of her skills through youtube tutorials and music tech blogs.
Furthermore, her artistic background has allowed her to create her own album art and to direct and edit her own music videos. Headstrong and self-reliant, she takes pride in the knowledge that everything you see and hear is a product of her own creation. Today, Princess Nostalgia is a philosophy major at the University of Verm.
Novele is the brainchild of 26-year-old singer/songwriter/producer Austin Fitzpatrick. From an early age, Austin was surrounded by music. His uncle, John Cale, is a founding member of Velvet Underground and his Aunt was a major label executive for
most her life. Austin’s father was also a musician and DJ and raised him on soul, R&B and Hip-Hop music.
Born in Mission Viejo and raised in Corona, Austin has a deep affinity for Southern California and its culture. Some of his earliest inspirations were California artists No Doubt, Dr. Dre and The Red Hot Chili Peppers. From there he ventured further into the Alternative and Hip-Hop realms like Run DMC, Bloc Party and Gorillaz (specifically their album Demon Days).
At age 12, Austin taught himself the drums and electric guitar and began to make his own music. He then started to play in a handful of bands and joined music programs at his junior high school. His passion for music only expanded as he entered high school. At age 14, he formed a band with his friends Kyle Harward and Jeff Riggs –
Novele began as a garage-rock band in the Inland Empire of Southern California. In early years, the trio played countless house parties and shows in and around their hometown. This was mainly experimental music in the vein of As Tall As Lions. They then faced turbulent times due to a variety of mental health and funding issues and had to take a break from each other. Kyle and Jeff have since returned to the group, but Austin remains the principal songwriter.
During the time apart, Austin continued to grow as a musician, songwriter and producer. He began to focus more on creating hip-hop beats for rappers. However, his love for punk and pop music never left and he began to fuse the genres into one.
This is where Novele’s current sound stems from. A fusion of punk, hip-hop and pop that form a true alternative style. The songs and lyrics pull from Austin’s personal experiences and struggles with mental health and overcoming depression which encompasses the deep emotion and raw passion that fuel the music.
Now 10 years later, Novele is set to release a debut demo album on September 14th. The album contains ideas from the early band days (“After The War”, “Rubies”) as well as newer tracks that Austin composed on his own (“T.S.”, “Tears”). The album is a journey through the tempestuous yet beautiful lifespan of the band. Enjoy.
With her new single “Dopamine High”, the 20-year-old emerging Swedish artist named Yaeger lets us enter her world; a bubbly, adventurous and yellow one, with surprises in every corner. The single is inspired by the ecstatic and releasing experience at raves, where the story of “Dopamine High” takes place. It’s about two young lovers, who after an intimate and electric first meeting, they do not dare to let their desires guide them back to each other. Instead, they get caught up in careers. Each hurrying, and looking for something they cannot define. The core feeling of the song is the thrilling moment when they meet again and ignore all the questions about when and why. “It’s that Dopamine High of feeling alive”, Yaeger explains.
Vicky Warwick is a British artist, operating under the moniker of Ainslie.
Ainslie comes from a world of being a called upon side-woman in the music industry; as a session musician she was hired for many musical artists and occasions, whether it be playing a sweaty sold-out show in Florida with Charli XCX or appearing on award shows with Cee Lo Green.
Her first job in the music industry was as the in-house bassist with the renowned pop-production house, Xenomania (Cher, Kylie Minogue, Pet Shop Boys, Girls Aloud, Sugababes). It was such a privileged insight into how pop music was made, Ainslie soaked up each experience there. Whilst she was always writing music, she didn’t really take her own voice seriously until a few years later on.
Her need to make music started as a form of anxiety – the good kind – when she would spend months away from home on the road. So starved for personal time, she itched to be spending whatever time she had writing music; whether it meant finding a quiet corner of the tour bus, or an unoccupied room at a venue. For a long time, she didn’t know what exactly for, until she was penning ideas she knew she didn’t want to give to anyone else.
She had been writing songs in her home of London, and many other places over the world, but the project wasn’t fully realised until she moved to New York City in 2017. Something changed when she arrived; the colours were brighter, the people wilder, the ideas more far-fetched. Inspiration struck. Whilst taking some time off from long-term touring, she settled into the city and to the idea of putting out the songs she’d been singing to herself for a while. As she was getting out there, trying to meet and collaborate with the many creatives of the city to further her session playing career, it made her see that she should nurture the thing that was hers, and hers only. The thing that she could take with her wherever in the world she was. She realised it’s importance, and how in a whirlwind lifestyle of a touring musician, it was something that could be a constant. Her view of being a musician and not an artist had to shift, because it was time to break out of the mould she had made for herself.
Ainslie’s music draws from personal experiences but she also likes to imagine the world from other’s perspectives and explores themes of fantasies, inner thought and also comments on suburbia and aspects of our everyday lives. She claims to have felt a strange phenomenon since the birth of this project, a kind of synesthesia that when envisioning her music and the project, conjures images of pastel pinks, blues and turquoises, the sea and water, plants and soft textures of fluffy candy floss or velvet.
Her single Grow observes idyllic suburbia, and the human need to climb up the ladder of society. “I found myself walking in this beautiful neighbourhood being curious about the stories behind each person or family inside each house. Wondering if they are as happy as I imagined they were. What seemed like a perfect world, might be not what it cracked up to be, and I considered if it was what I would want for myself anyway. Society has taught us something we should strive for, so part of me was longing to live that life behind one of the perfect front doors, but part of me also felt a disconnect; it was far from what I truly want in life.”