Tag Archives: line of best fit

Pelicandy – Underlove

Specialising in finely crafted alt-pop centred around a collection of irresistible hooks, London newcomers Pelicandy have made quite the statement ahead of their debut EP release Underlove.

Marshalled by acclaimed recent singles Silent Treatment and You and Me Baby, the electronic duo’s hook-laden efforts have earned warm praise throughout the online community (The Line Of Best Fit, Dork, The 405, Earmilk) so far in 2019, with keen lyrical musings and sparkling atmospherics reinforcing their eccentric qualities.

Speaking ahead of their EP release, the two-piece explained: “Underlove aims to pry into the world’s unhinged psyche with a collection of songs for the armchair psychiatrist. Love songs for the therapy generation, you could say. These are the four songs that define Pelicandy so far and we’re thrilled to finally be sharing them with the world”.

With a series of shows lined up in the capital throughout the autumn, including an EP launch show at The Waiting Room and a date alongside Thyla at Electrowerkz, the risers are primed to gather pace on the live front in the coming months and introduce themselves to an even wider audience.

Pelicandy’s Underlove EP is released and will be available via all digital platforms. Pelicandy is TC Beecham (vocals, guitar, synthesiser & keys) and Nick Mills (drum kit, drum programming, backing vocals)

“No-one’s bottled 1980s Miami excess quite like Pelicandy” – NME

“Off-kilter sleaze that makes them sound like weird pop rather than straight-up chart filler” – Noisey

“Contagious synth pop brilliance” – The Line Of Best Fit

“Seductive hooks and dancefloor-ready grooves” – Dork

“Melodic pop-poem” – Clash

“Mesmerising melodic hooks…dreamy synths” – Earmilk

“Swaggers with the confidence of a band that have been doing this for years” – DIY

ORKID – Lay Low

ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”

The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.

  • Over 6 million streams in first year
  • Featured on 20 + Spotify New Music Friday playlists all over the world
  • Playlisted on Swedish national radio
  • Posted on 25 + Hype Machine Blogs, reached top of most-posted list

“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex

Pop superstar in the making ORKID returns with another infectious banger – The Line of Best of Fit

Petrie – texting you

“Quirky pop duo Petrie build on their propensity for lovelorn millennial lyrics on ‘Texting You’.” – The Line Of Best Fit

Throughout 2018, Petrie launched a string of tracks which captured their uniquely multi-textural pop flavour, all of which now can found through the open doors of the duo’s Superstore .

Complex summarises Petrie’s style as “a combination of tender songwriting, upbeat rhythms and bursts of colourful melody,” while PopDust said that after listening “you’re so immersed and hooked for life,” and Hidden Herd couldn’t resist “irresistible grooves, sun-inflected sonics and unshiftable earworms.” All of this and much more you’ll find in plentiful stock over at Superstore , and look out for the sweet deal that is newest single ‘Texting You’.

Speaking about this bittersweet pop tune, Petrie say: “Texting You is one of the oldest songs on the record, born in the summer of ’17 as an impressionistic poem-turned-jazz-ballad. We’ve lost that poem now but it started something like: “Last May we met and fell in love/you told me everything at once/I felt free, like summer/like the birds tattooed across your back”. How that became a big sad banger with 808s and lyrics about George’s Ford Fiesta is a mystery lost in the sands of time. However, that stanza can act as a prelude not only to the song it became but also to Superstore as a whole.” And expanding their thoughts on the Superstore collection, the band share: “Over the course of the album that idyllic love affair slowly crumbles into madness and then into warm, fuzzy nostalgia. We’re proud to say that this narrative inspired an eclectic set of songs,
ranging from quiet defeat (Was That a Kiss?) to rhapsodic and heavy diatribes (Punch, which features our deeply inspiring friends Clive Mercury and JESS).