Jade The Moon are an independent alt – pop band that consists of Dani, Benjamin and Jeremy who started making music from the age of six. They released a brand new single, “The Tide” as the second feature track from their upcoming new album, 11:11. The group says that the collection of tracks on the upcoming release are best described as “musical photographs”. A moment in time turned dance party, true story turned love song, a daydream turned eerie alt-pop lullaby. Real world inspiration. This is the follow up to the group’s self-produced 2015 debut release Habits and Hindrance sees the continued theme of “cycles” in human nature.
“We self produced our first record and our current record ’11:11′ was produced by Colin Munroe …except ‘HOTELS’ by Adam King. We are always very involved in every set of the creative process but it really helps to have some in the room to make sense of all the ideas. We are always looking to collab with new writers/producers. @mikkyekko if your listening ;)”
“Fall Tour Dates in the works. We will also be premiering our short film created and directed by Black/Cartel in Toronto last fall”.
LA-based pop-meets-R&B songstress Anna Dellaria returns today with her new single, “I Choose Me.” The anthemic new tune will also be heard on TV Land’s critically-acclaimed show Younger, starring Hilary Duff and Sutton Foster.
Premiering today on The New Nine, “I Choose Me” is a powerful anthem for anyone who has ever felt apologetic for who they are or are not. Driven by tight production, Anna’s smooth soulful vocals captivate during intimate verses before booming with unbridled power on the refrain.
On the powerful meaning behind “I Choose Me,” Anna writes, “It’s an anthem for anyone who’s ever been manipulated, taken advantage of, or felt worthless for not fitting some ridiculous standard. In which you choose to commit to yourself and honor who you are, whether or not people are going to like or understand it. So often we are told to hide the parts of ourselves labelled as “flaws”, instead of looking at them as pieces that demonstrate strength, authenticity and character. ‘I Choose Me’ is the moment you decide to say “f*ck that – I’m enough” and aims to allow those vulnerabilities to empower us instead of living with them as chains we can’t break and must make up for. ”
In keeping with the spirit of the song, Anna will also be donating a part of the proceeds collected from the song to Girls Inc of Alameda County. The organization gives girls from underprivileged neighborhoods the opportunities and resources that can help shape them into strong, smart, and bold young women.
A recent graduate of USC’s prestigious Thornton School of Music, Anna has truly honed her vocal and writing skills over the past few years – and it shows. She kicked off her career singing backup vocals for legendary acts such as John Fogerty and Chaka Khan.
Anna stepped into the spotlight last year with her single “Bolder,” landing a prominent sync of TV Land’s Younger and surpassing over 325K Spotify streams. With a rising profile, prominent furniture company Ethan Allen tapped Anna to sing in a national campaign that aired during the 2018 Academy® Awards.
Translating lyrical singer-songwriter catharsis a la Jeff Buckley through bold Aretha Franklin-style delivery, Anna Dellaria is quickly carving out a place of her own in the music industry.
Aaron Taos is ready to seize his own parcel of the indie pop-rock landscape in 2018 — and Night Thoughts, the Brooklyn resident’s sophomore EP, serves as the blueprint for his takeover. The seven-track effort sees the self-taught artist’s bedroom noodling explode into a full-blown studio project with bolder sounds and bigger production. However, getting to this triumphant phase in his career was no clear-cut task.
Aaron Taos received his first guitar at only five years old. The New Haven, Connecticut suburbanite kid’s affair with the instrument was fleeting as he became more interested in hip-hop and a promising soccer career, even playing in the state’s Olympic Development Program. It wasn’t until he encountered bands like Arctic Monkeys and The Strokes in high school that music re-established its magic hold on his creative aspirations.
“My first instinct is to write songs,” Aaron Taos says of his artistic drive. “When I first got a guitar when I was little, the first thing I wanted to do was write songs. I didn’t want to learn covers; I wanted to make something new. I really like making tangible things out of ideas.”
As a 16-year-old, those ideas first manifested as a garage rock band with some fellow jocks. Still, athletics remained his primary focus — until he took those talents to college. He quickly found enthusiasm for soccer quashed by too much structure and a lack of creativity, so he resolved to turn fully to his true muse: Music. Between classes, Taos holed up in his school’s computer lab, instructing himself in the production arts. “My friends would make fun of me because I was always there watching tutorial videos, learning how to use Logic,” he recalls.
Literally learning as he went, he was resolute in his passionate pursuit. He moved home before relocating to Brooklyn for a Sony Legacy internship, all the while forging his debut EP, 2015’s GUITS. Lo-fi by necessity, the project “was really a bedroom experiment with guitar in a way I wanted to do it,” he says. “Just looping. It was my first time mixing anything from scratch.” Despite its novice DIY nature, GUITS drew attention from publications like Consequence of Sound, The FADER, Brooklyn Vegan, and Pigeons and Planes; it even landed Taos a manager. With minimal assistance or formal musical education, Taos felt himself fast-tracked to pop success.
Until the reality of the situation slowed everything down. His recordings’ homegrown nature made them intriguingly sincere, but ill-prepared him for the actuality of the industry. Taos went from training himself to being thrust into writing rooms from LA to Sweden and shown all sorts of contracts and licensing deals. It was a lot to absorb for someone who just wanted to create.
“It was a double-edged sword,” says Taos of his quick come-up. “It gave me a reason to say, ‘I can actually do this. I’m going to do this.’ But it also stopped my progress in some ways. I met a lot of cool people, I became a better songwriter, but I wasn’t making anything tangible for me.”
Throughout that year of fruitless co-writing sessions, he nevertheless kept learning, refining his craft while awaiting that serendipitous spark to reignite his artful ambition. Without warning, it returned full force when Taos found himself in the right room with the right song and the right producers. The production team was LA duo TÕN and the song was his early 2017 single “Off My Mind”. A hook-riddled groove of yearning desire mixing GUITS‘s guitar sound with “hard-hitting hip-hop-ish drums,” the track catalyzed a new flurry of writing, recording, and releasing.
Yet, just as his music was becoming more dynamic, his personal life was stagnating. His relationship with his girlfriend, who had been there since the beginning of this journey, was coming to a crossroads. Taos now had to find a way to explore his new sonic growth while simultaneously dealing with a broken heart. Ever self-aware, he determined the best way to progress with both was to capture it all on Night Thoughts.
“This EP, for me, is to conceptualize what I am and what I’ve done, what this time meant to me,” Taos reflects. “It’s me retrospectively making sense of my life at that time personally and musically.”
As a result, Night Thoughts plays through the timeline of a relationship. The sleek, sexy tones of opener “Amazing” capture that first rush of attraction. Driving and syncopated, the hard-thumping “Twisted” expresses the dumbfounding anxiety of obsession with psychedelic licks nodding to Taos’ love of Tame Impala. Straightening himself up, Taos gets lost in the cool, carefree joy of true love on “Only One”, only to wistfully stumble on the dance floor as he recognizes a potential end with “Not Over Yet”.
More than just romantic contemplation, though, the EP is truly a time capsule of Aaron Taos’ last three years. It’s the result of a burgeoning musician’s quest to become the type of recording artist he knew he could be. Although it stands as validation that he’s succeeded, it also marks the end of this chapter in his life. It places this young songwriter on the edge of darkness, just stepping forward to meet whatever comes next. There, in those moments before the breaking dawn, live twilight ruminations rich with vulnerability, pleasure, and heartache — the Night Thoughts.
Boys Choir is the new electronic prodigy from Scandinavia. A territory already renowned for its brilliant dance tunes. They deliver a true blend between pop and club music with their hard hitting tracks and infectiously catchy melodies. On June 8th they released their third single, “Sorry” – A lush, grand sounding track with punchy drums, massive synths and glimmering guitars. On vocals we find the amazing voice of HART.
Foley started almost as a dare – a challenge between two long time friends to blend their mutual love of pop, funk and dance into a meaningful spin on pop music. Frustrated with the standard model of two-piece acts being pigeonholed into 1 vocalist and 1 producer, Foley made a point to be equal. Songs are crafted together, 50/50; with neither party more important than the other. In a male dominated industry where female vocalists are often commoditized, it’s an important distinction to make.
Both talented writers, producers, and performers, the pair collaborate on everything from lyrics & melody to instrumentation & performance – nothing is one sided and the result is greater than the sum of its parts. The long list of achievements following their debut single ‘Settle’ is proof that going against the grain works.
Released in October 2017, the bass-driven debut immediately launched the pair into local hearts and minds, receiving extensive radio support from one of New Zealand’s largest commercial radio stations ZM and NZ’s largest dance station George FM. ‘Settle’ also received wide support from DSPs, landing on Spotify’s prestigious Fresh Finds: Hiptronix playlist and clocking up over 50K streams since release. And after only one month in the public eye, Foley were invited to play New Zealand’s largest New Years festival, Rhythm & Vines for it’s second consecutive sold-out year.
Waves like this don’t go unnoticed – Foley’s success quickly pricked the ears of the industry, landing the duo features on tastemaker blogs like Coup de Main. The pair also secured government funding and a coveted spot on the NZ On Air’sNewTracks disc – which is presented to top level broadcast media. Behind the scenes, the duo have formed a relationship with some of NZ’s best producers: Josh Fountain (Thomston, LEISURE, MAALA) and Djeisan Suskov (Mitch James, Matthew Young) – trying new sounds and tearing apart old habits.
New Haven born Skai has officially returned after a brief hiatus and big move from London to New York. She’s back and ready with her new single Hooked. Accumulating over 20,000 views on Soundcloud, with a collection of oft-praised R&B/soul numbers – Rick Ross-inspired ‘Thugs Cry’ featuring Lil Wayne, the indecisive introspection of ‘Trust Issues’ alongside Bueffard Mallary, sexy slow jam ‘Pieces’, and the uber-submissively yet playful ‘Action.
She has received a plethora of high-profile kudos – and certified stamped approval – from 6-time Grammy Award winning producer, Jimi Kendrix (Jay-Z, 50 Cent, Lil Wayne), DJ Blazita (Jay-Z 40/40 former resident DJ in NY), and DJ Bedtyme (Remy Ma Official DJ).
Benjamin was born and raised in Paris. After having started to play the guitar at age 15, he quickly became involved with several bands, getting to play in notorious venues in France: The Bataclan, the New Morning, The Alhambra, The backstage and others.
He moved to the UK to attend the British and Irish Institute of Modern Music (BIMM) and met Daphne, with whom he would eventually form All Faces.
Daphne was born in Paris and lived in multiple countries like South Korea and Belgium before moving back to France. Her passion for singing started at age 12 and only grew stronger. By age 16, she had performed in many renowned Parisian venues and then moved to London to pursue her career. She enrolled BIMM London in 2016 and met Ben with whom she formed All Faces in 2017.