Tag Archives: CLASH

Pelicandy – Underlove

Specialising in finely crafted alt-pop centred around a collection of irresistible hooks, London newcomers Pelicandy have made quite the statement ahead of their debut EP release Underlove.

Marshalled by acclaimed recent singles Silent Treatment and You and Me Baby, the electronic duo’s hook-laden efforts have earned warm praise throughout the online community (The Line Of Best Fit, Dork, The 405, Earmilk) so far in 2019, with keen lyrical musings and sparkling atmospherics reinforcing their eccentric qualities.

Speaking ahead of their EP release, the two-piece explained: “Underlove aims to pry into the world’s unhinged psyche with a collection of songs for the armchair psychiatrist. Love songs for the therapy generation, you could say. These are the four songs that define Pelicandy so far and we’re thrilled to finally be sharing them with the world”.

With a series of shows lined up in the capital throughout the autumn, including an EP launch show at The Waiting Room and a date alongside Thyla at Electrowerkz, the risers are primed to gather pace on the live front in the coming months and introduce themselves to an even wider audience.

Pelicandy’s Underlove EP is released and will be available via all digital platforms. Pelicandy is TC Beecham (vocals, guitar, synthesiser & keys) and Nick Mills (drum kit, drum programming, backing vocals)

“No-one’s bottled 1980s Miami excess quite like Pelicandy” – NME

“Off-kilter sleaze that makes them sound like weird pop rather than straight-up chart filler” – Noisey

“Contagious synth pop brilliance” – The Line Of Best Fit

“Seductive hooks and dancefloor-ready grooves” – Dork

“Melodic pop-poem” – Clash

“Mesmerising melodic hooks…dreamy synths” – Earmilk

“Swaggers with the confidence of a band that have been doing this for years” – DIY

dan crossley – closure

Dan Crossley is a 23-year old singer/songwriter from Telford, now based in London. Consistently drawing from personal experience, Dan’s lyrics are flawlessly honest. Following from the success of his previous singles off his EP ‘Closure’ (7 Minutes, Call Back, Mind Games and Heal) Forgive Me is the fifth and final chapter to the EP.

Dan wrote Closure about a toxic relationship he was in from start to finish. The EP goes through each stage of the relationship with 7 Minutes being that initial attraction despite knowing that person is going to be bad for you down the road. Call Back is the aftermath where you’re desperate for that person to get in contact. Mind Games represents the peak of the relationship where that person is constantly playing on your mind and you’re trying to get over them. Heal is the result of the break up and Forgive Me is realising your wrong doings and asking for forgiveness and making peace with the relationship resulting in closure. Speaking on Forgive Me Dan says “It was a chance for me to escape the bitterness, let my guard down and be more mature about my first heartbreak. Forgiveness is something I’m still learning everyday, not just in relationships but with myself. I’ll always have love for someone that taught me lessons and made me who I am today.”

Speaking on the EP Dan says “Closure was a writing journey I started after my first heartbreak. The relationship never fully ended and I’m still to this day left with a question mark hanging over the two of us. That being said the project gave me the closure I needed to move on. It’s been just as much as a personal journey as well as a musical one.” Having caught the attention of Billboard, CLASH, Earmilk and Notion, Dan certainly remains as ‘one to watch’. He has accumulated over 500,000 streams on Spotify along with editorial playlists such as Chilled Pop Hits, Out Now and New Pop Revolution and has also been included in Apple Music’s Best of The Week playlists. Dan Crossley has been featured as Track of The Week numerous times on BBC Introducing, which led to him being named BBC Introducing’s One To Watch for 2018 as well as finishing last year off with a sold out headline show at The Camden Assembly.