The label 4 On The Floor proudly presents Michel Young – born 1993 of French and Finnish heritage but now based in Sweden. He is currently working with Jonas von der Burg, a songwriter and producer behind numerous worldwide mega hits.
The past year has been lined with successes. His latest releases “Talk Talk” and “Come Over” and Dance No More” has already been successful in both international DJ lists and radio shows. The remixes are done by the very well renowned StoneBridge as well as the the up and coming producer/writer/remixer Damien Hall.
Michel Young’s tracks has been on A-rotation on P4 in Denmark and hothits.uk. B-rotation in Sweden. Michel Young is also played in USA, Japan, South America, Kenya, Mexico and Thailand. Lux FM, Passort Approved och Kiss FM (Ukraina). Lollipop,Glasgow, Candy Radio and Hit Song UK med flera. The tracks has been released in Spain, Poland, UK, Greece and Ireland.
Michel can be described in many ways – unique, talented and charismatic, just seem to scratch the surface. However, there is one word that ties them all together and is true to their character; Michel Young is Real. Few people sing so honestly from their heart and soul. Michel Young does so in just the right way, combining art, story and song in perfect unison.
Crooked Colours burst onto the scene in 2013 with breakout singles Come Down, Capricious and Another Way, earning three consecutive #1’s on Hype Machine and gaining a solid fanbase around the world. The result of a patient approach from an act determined to create a timeless debut, new albumVera demonstrates diverse and layered productions from a breed proving themselves as one of Australia’s hottest rising acts in electronic music today. Hit singles ‘Flow’, ‘I Hope You Get It’ and ‘Come Back To You’ have been picked up by radio stations and press around the world such as Radio 1, Eins Live, triple j, Majestic Casual to name a few. To date Crooked Colours have had over 20 million streams of their new record and have released award winning music videos for all previously released singles.
Recently invited to perform as special guests for EDEN on his U.K. and European tour, the band has also supported RÜFÜS and San Cisco, in addition to many festival performances across Australia and North America. On their most recent ‘Perfect Run’ Tour, the band sold out shows in Los Angeles, San Francisco, Chicago, New York, Washington, London, Hamburg, Berlin, Zurich as well as multiple shows at home in Sydney, Melbourne, Brisbane and Perth.
Out of Birmingham, Lycio are a hybrid electronic live band combining soulful vocals with real/electronic instrumentation. They have developed a distinct sound while creating music that covers a variety of moods and styles, from up beat pop to alternative electronic. With their focus on groove and emotion, everything is performed live; there are no backing tracks or stock loops.
Tim Arstall, BBC Introducing WM/BBC Radio 1Xtra – “A brilliant band from Birmingham called Lycio, I have seen them perform they are like nothing else”
Danny de Reybekill, BBC Introducing WM – “They for me are genuinely coming out of Birmingham as one of the biggest up and coming names in the city, huge huge talent”
Released Monday 22nd April, Lycio’s latest offering ‘Cash’ sees a temporary departure in narrative style for the band. The often ambiguous approach of front woman Genie Mendez is this time replaced by a more direct message in ‘Cash’ – one directly reflecting its title.
Of the track, front woman Mendez explains – “I’m sure you can guess what ‘Cash’ is about. It’s all in the title. Living in a capitalist world, we all want nice things; we all want a little more cash to spend. It’s amazing that one way or another, all of us are broke. I’m pretty damn broke, and friends who earn four times as much as me complain about being broke. We always want it, we always need it; no one’s got it.”
Instrumentalists Charlie Kellie and Alex Lowe have certainly done their best to reflect this in the arrangement. A huge bass line hook (which took the band weeks to perfect) and jagged drum arrangement forms the heartbeat of the song.
‘Cash’ sees their most instrumentally varied effort to date. We see Lycio playing with call and response; washy, open textures are quickly contrasted by tight up-close-and-intimate answers. “We were really aiming for our most texturally diverse recording with this one, and the sounds took a lot more work than our other tracks” explains Kellie. Drummer Alex Lowe adds “I wanted to get an almost industrial vibe, but still keep that element of groove”.
Complete with a sub bass breakdown, bouncing choruses and a vocal delivery by Mendez at her best, ‘Cash’ is wrapped up in style with a huge final vocal outro; one of their proudest moments to date. Mastered at Metropolis Studios by Stuart Hawkes (Jack Garratt, Lorde, Fickle Friends, Rudimental, Mura Masa), Lycio want to put this industrial pop number out there in good time for festival season and the sweaty clubs alike.
The Limited are Aled Williams, Josh Iszard, Jack Howell, Matt Featherstone & Jack Byrne. With 3/5 of the band from Cardiff, South Wales & 2/5 of the band coming from Devon, they came together and formed in London, aiming to make waves across the world whilst representing various parts of the UK.
In the previous 3 years they’ve supported bands such as Pierce Brothers, Alt-J, Noel Gallagher’s High Flying Birds & The Sugar Hill Gang in venues such as The Scala, The 229, the o2 Academy Islington & Cardiff Swalec Stadium. They’ve also done various Headline shows at venues across the country. They have created a strong and consistent online presence with over 100,000 views on there YouTube channel and a growing Facebook page.
The Limited aim to create a bigger fan base on all of their social media platforms and hopefully tour the country by the end of 2019 and also aiming to be played on national radio and gain attention from mainstream media.
The Limited are currently working on their 4th EP ‘TIME’ at their own studio and aim to have it out by the end of the year. Their discography consists of “Pseudoscience” (2015) “Small Talk” (2017) “Money” (June 2018) which is on all media platforms.
“The name may sound like any other popular boy band, but in their latest EP Pseudoscience, The Limited prove to the musical world that the pop genre label does not have to limit musicality.” (James Martin – wordpress.com)
“The Limited are a band with incredible musicality for their early stages as a pop band. My only hopes for this band are that their would be further strides towards consolidating their unique vibe, and that they would continue to not conform to the pretenses of the popular music stereotype.” (wordpress.com)
Will be performing their new EP ‘TIME’ live at The Courtyard Theatre, Old Street.
Leah Kate is a New York City based artist whose music is a true embodiment of her IDGAF attitude. The left of center pop artist fuses her passion for creating relentlessly honest and relatable music with feel-good dance-worthy anthems.
Leah Kate has been on a lifelong journey of confidence and self-identity. Having grown up in Los Angeles with a family in media and submerged in the entertainment industry, she found herself under enormous pressure. The songstress decided to escape, moving to New York City, where she discovered her creative fulfillment, flourishing into who she is today.
The positive and determined young artist delivers listeners with her breathtakingly candid new releases. With each song rooted from some form of personal experience, Leah Kate tells a true story of a girl trying to figure it out alone like the rest of us. The six cutting-edge tracks, emit dark lyrics, swirling unexpected soundscapes and electronic pop elements, highlighting the ingenious songwriters use of innovative and charismatic songwriting.
Her leading single “WTF?” narrates the familiar story of being ghosted by a crush you were texting. These insecure and confused emotions are portrayed through the use of glossy electronic synths and vocal harmonies. Drenched in playful tones with an infectious chorus “WTF?” is a knockout pop hit. Leah Kate confides “I want to remind girls and anyone not to let someone make you think that YOU did something. Sometimes you have to make light of situations and know that it is not meant to be. Sometimes, you just have to laugh at situations and realize it’s just your ego talking, you probably don’t really give a fuck, be strong.”
Her 2nd upcoming single, “She Left Him With A Broken Heart” is a self-explanatory song, taking a very pessimistic view on love. Featuring brooding melodies and melancholy instrumentation the single evokes stunningly dark atmospheric pop. The next single, “So Good” represents Leah Kate’s go-getter personality – she knows what she wants and she won’t give up till she gets it. Sonically the single is an upbeat track with staccato beats and assured vocals.
Leah Kate has found success performing at both London and New York fashion weeks, as well as having worked alongside renown industry professionals. Having garnered hundreds of thousands of streams on Spotify alone, Leah Kate is ready to deliver audiences with her new and most authentic vision to date.
As Spring hastily approaches, Atlanta native AIR APPARENT returns with a delightfully warm electro-pop single ‘Asking You’ – serving as the perfect love anthem to jump into warmer weather.
‘Asking You’ is a lively shift in tempo from AIR APPARENT’s conventional relaxed soundscapes. As the single’s luminous bassline is swiftly met with mellifluous vocals, lush synths collide with an oscillating percussion line to create the ultimate playful melody for a love-inspired track.
The Indian-American DJ and producer has only just begun to make his mark on the dance music world since the release of his 2018 debut EP ‘Imaginary’. AIR APPARENT’s standout single ‘Your Love’ is a dreamy love boasting track that has amassed over 60,000 plays on Soundcloud alone and is a true testament to the young artist’s transcendent production capabilities. With a summer EP currently in the works, AIR APPARENT shows no signs of slowing down and will continue to prove his progressive artistic prowess while working to solidify his standing as the breakout electronic artist of 2019. Stay up-to-date with everything Air Apparent is up to by following his socials for news about upcoming music, albums, tour dates and much more.
ORKID delivers a candid vocal over something like synchronized culinary clangor in “Lay Low”. Pots and pans, hand claps and the clinking of metal pipes contribute to a sense of frenzy that punctuates the rhythm as if ORKID has help from the kitchen staff. She refuses to submit to constraints and is prepared to drink, steal and outpace police to exercise her freedom. That recklessness reflects, as ORKID describes, “getting to a point where I simply don’t give a — and where I want to misbehave. I want to do whatever I feel like. I want to wake up in Vegas.”
The 21-year-old lives in Stockholm—the capital of pop—but grew up listening to Nat King Cole and Sam Cooke. These contrasting influences manifest in ORKID’s ability to be both on-trend and mature beyond her years. At only 16, she used the Idol stage to transition from performing small town gigs to playing on an international stage. In the next three years, ORKID completed her education, improved her songwriting and stage presence and developed into one of Sweden’s most exciting artist exports.
Over 6 million streams in first year
Featured on 20 + Spotify New Music Friday playlists all over the world
Playlisted on Swedish national radio
Posted on 25 + Hype Machine Blogs, reached top of most-posted list
“Swedish starlet ORKID combines velvet vocals with electro-pop” – Complex
Since 2010, Copenhagen-based producer Fabian Mazur has released many tracks and remixes, expanding from the Danish club scene to an international audience. Gaining support from artists such as Martin Garrix, Tiesto and Afrojack, Fabian’s recent releases have been pulling in streams from all over the world including “Right Now” with over 7.2 million Spotify plays and “Sun Goes Down” topping two million Spotify plays.
Fabian Mazur has an electronic and bouncy sound with a clear inspiration from hip-hop and R&B that has been supported on a variety of playlists including: Mint, Fresh Electronic, Dance Hits, Friday Crate Diggers, Spinnin Records Top 100, Trap Nation, Electronic Gaming, Mad Decent Weekly, Deep House Hits (Armada), Trap & Bass By Spinnin and New Music Fridayin Germany, Denmark, Spain, Iceland, Canada, Finland, Sweden, Norway, Italy and France.
Fabian comes from a family
with a musical heritage. His parents are career jazz musicians who continue to
tour to this day. His father Klavs
Hovman plays the bass and is a solid foundation the Danish jazz scene. His
mother Marilyn Mazur is a
world-renowned percussionist who has toured with legends such as Miles Davis and Wayne Shorter.
In 2013, Fabian received a platinum-certification for his remix of “Chuck Norris” by Kongsted. Other accolades include six nominations at the Danish DJ Awards 2014, 2015, 2016, & 2017 – “Mainstream DJ Of The Year,” “Urban Release Of The Year” and “Remix Of The Year.” Fabian spends time producing a vlog series featuring all his own music. His weekly videos–available here–give a glimpse into his daily life as a full-time music producer and DJ.
South Carolina native David Wilson, commonly known as dwilly, first broke into the electronic music scene while attending Berklee College of Music in 2016. Currently based in LA, dwilly is a producer, songwriter, and vocalist that blends elements of hip-hop and EDM. With releases on Monstercat Records and Majestic Casual Records, dwilly has songs that have peaked at #24 on iTunes Pop Charts, #10 on US Viral 50 Spotify chart, and #48 on the Global Viral 50 Spotify Chart. dwilly has amassed over 10 million streams in 2018 and has been featured in New Music Friday US. Having “cooked up quite the sonic formula” (Hillydilly), dwilly has built notoriety as a producer having two top 5 Splice sound libraries becoming well known for his unique approach to sound design.
“CRAYOLA the EP is a retirement from the early stages of my artistry and into my deeper darker personal struggles. As I approach the age of 24, I realize my music has matured into something much more emotional and honest. That being said, the songs are flooded with immaturity, youthfulness, and a punch to the gut. I now see things differently as an adult, having to deal with the everyday bullshit that was once foreign to me as a kid. The lyrical content itself shies from popular topics like the culture surrounding drugs and violence and truthfully embraces things like failure and anxiety. My favorite part about the EP is how unsystematic the tracklist is, reflecting my impulsive imagination. Each song offers a different vibe. I want both kids and adults to fuck with this. I’m not targeting any audiences, just simply painting my mind onto a canvas for anyone to enjoy.”
“Quirky pop duo Petrie build on their propensity for lovelorn millennial lyrics on ‘Texting You’.” – The Line Of Best Fit
Throughout 2018, Petrie launched a string of tracks which captured their uniquely multi-textural pop flavour, all of which now can found through the open doors of the duo’s Superstore .
Complex summarises Petrie’s style as “a combination of tender songwriting, upbeat rhythms and bursts of colourful melody,” while PopDust said that after listening “you’re so immersed and hooked for life,” and Hidden Herd couldn’t resist “irresistible grooves, sun-inflected sonics and unshiftable earworms.” All of this and much more you’ll find in plentiful stock over at Superstore , and look out for the sweet deal that is newest single ‘Texting You’.
Speaking about this bittersweet pop tune, Petrie say: “Texting You is one of the oldest songs on the record, born in the summer of ’17 as an impressionistic poem-turned-jazz-ballad. We’ve lost that poem now but it started something like: “Last May we met and fell in love/you told me everything at once/I felt free, like summer/like the birds tattooed across your back”. How that became a big sad banger with 808s and lyrics about George’s Ford Fiesta is a mystery lost in the sands of time. However, that stanza can act as a prelude not only to the song it became but also to Superstore as a whole.” And expanding their thoughts on the Superstore collection, the band share: “Over the course of the album that idyllic love affair slowly crumbles into madness and then into warm, fuzzy nostalgia. We’re proud to say that this narrative inspired an eclectic set of songs, ranging from quiet defeat (Was That a Kiss?) to rhapsodic and heavy diatribes (Punch, which features our deeply inspiring friends Clive Mercury and JESS).